Teenage Mutant Ninja Turtles Shredders Revenge: Summer of Beat-Em-Ups, Part 3

 

Forward

Yo, dudes and dudettes!  Let me tell you about a totally radical franchise that touched just about every form of media and product in my childhood!

Okay, real talk; you probably have already heard of Teenage Mutant Ninja Turtles.  I'd be surprised if anyone ever to have been a child since their debut has not heard of them, and adults who are parents of such children are also likely to have heard of them.  However, there is probably no time before or since the height of their first animated series that these turtles were so popular and so ubiquitous, and it's kind of ironic in retrospect, because that show...had issues.  

Make no mistake; it was very creative, the sitcom-like dynamic between not only its heroes but (especially) its villains was both funny and very unique among cartoons, and its seemingly endless well of absurd story premises worked well to deliver on the random madness the title "Teenage Mutant Ninja Turtles" seemed to tease, but the show usually couldn't deliver well on the "ninja" part of its premise.  TMNT actually began life as an indie graphic novel, aiming older and thus unafraid to get violent and bloody, and the Murakami Wolf Swenson company couldn't exactly translate that into an acceptable children's show in the conservative 1980s and achieve anything beyond surface-level accuracy to the source material.  Naturally, many children then were totally unaware of that source material, so accuracy was a non-issue for them, but even children inevitably noticed that these ostensible ninjas who carried around melee weapons very rarely used them in that first cartoon; instead usually "fighting" their enemies with a bunch of slapstick and prop comedy.

So why did we forgive it so much?  Why did we still love these turtles?  I think it's because, while the 1987 show had become central to the brand's image, it wasn't alone.  Early on, we got action figures, tie-in books, and tie-in graphic novels (known as Teenage Mutant Ninja Turtles Adventures and published by Archie) to help satiate our desire for a tougher and more adventure-oriented take on the turtles, but even beyond all of that, we could experience the martial arts skills of these turtles on full display in the realm of video games.  Konami would create and continually refine an iconic style of beat-em-up gameplay for the brand, and its games from that era are still remembered fondly.  

However, TMNT's popularity waned in the second half of the 1990s, and though it would see several rebirths on TV, at least some of them good, the games made based on those newer incarnations never fully translated the feeling of the older games to 3D. (There is a lot to analyze about why, and I might do it in a future blog entry.)  But with the recent resurgence in popularity that side-scrolling, semi-3D beat-em-ups have experienced, Dotemu and Tribute Games have returned both to the world of the 1987 TMNT cartoon and the style of video games made based on it, and the result is simultaneously an accurate throwback in all of the ways that count, and a commendable upgrade in the ways more modern gamers would like.  It's scenario, meanwhile, is a pretty underwhelming one, but I'm definitely left wanting more rather than less.

At a Glance

 

Similar to many other retro-styled games released recently, TMNTSR goes for 2D(ish) gameplay and surreal, pixel-based graphics, while also taking good advantage of modern technology to do what the games that inspired it never could have.  In this game's case, that tends to mean bridging the (sometimes wide) gap between the classic Konami games and the cartoon they were based on.

 

Two of the first things you'll notice carrying over from the show are the Turtles' friends, Splinter and April.  While they have been playable in TMNT games before, this is the first time they're playable in this sort of TMNT game, and their addition is welcome.  It adds variety to the gameplay, but not so much you'll have to fight your own muscle memory when switching characters, and the increased attention to superb sprite work really helps bring all of the characters to life.

 

The relatively limitless color pallet has let its sprite graphics resemble the cartoon's art-style much more, with some famous clips of animation directly recreated in pixel form.  Facial expressions are also a lot of fun to see here, although some people won't like how more contemporary "bean smile" expressions have gotten into the mix for some frames.  Most amusingly, many of your enemies will pass the time in a variety of surprisingly unmenacing ways before engaging you in combat, a true flex of the modern ability to include all of the animations a character would normally need and then some.

 

I mentioned that one of cool things about the old video games is that compared to the cartoon, they let the turtles fight like the super ninja warriors they were.  That is still true here, but just for a laugh, this game also includes moments where you can use items in your environment to conk some enemies out, akin to the slapstick you knew and probably didn't love from the cartoon.  Don't worry; these aren't anywhere near common enough to undermine this as a fighting game, and except for completing some bonus mission objectives, you never have to use them.  

 

The Konami TMNT games already had an impressive amount of voice acting for the time, and there is more of that here, though not much by modern standards.  The original actors for the turtles are all back, also voicing those villains they doubled as in the show, and while none of the other actors returned, they don't have enough voice lines to make that a big deal.  Besides, voice work in this game will inevitably be upstaged by its fantastic soundtrack.

Rock, dude!

 

Tee Lopes, his talent already well-established by Sonic Mania, Streets of Rage 4, and a very underrated remix of the River City Ransom theme, has returned to helm (most of) this game's soundtrack, and it's probably his greatest work yet.  While you will likely notice a few of his signature tropes in places, most notably during a mall stage whose music sounds fairly reminiscent of Studiopolis from Sonic Mania (but that still makes it a great song), it doesn't stop him from incorporating loads of delightful influence from both the first Ninja Turtles cartoon and the Konami video games; mostly Turtles in Time.  Early on you'll notice the Channel 6 News theme spin off into a fantastic horn-driven tune, a new song with the same swing beat as "Alleycat Blues", and a solo that almost certainly is intended to reference "Sewer Surfing".  Oh yeah; there are solos in many of these songs, and the songs have a sufficient length that you won't tire of them.  Despite how formidable Tee Lopes is on his own, he's also joined by a number of talented musicians, singers and rappers to take the soundtrack even further, incorporating the sort of cheesy but unforgettable early-90s hiphop that drove the first two live-action Ninja Turtles movies, and a rock song that could have come straight from the infamous Coming Out of Their Shells Tour.  Unfortunately, for whatever reason the fun wanes a bit towards the end of the game, as when you leave New York to go to the villains' home turf, the music becomes more ambient and menacing, but it's worth soldiering through because after you beat the game, probably the most glorious TMNT rap song ever is waiting for you in the credits.

 

Back to the Grind

 

As much fun as this game is to see and hear, the story feels disappointingly thin. 
 

Now, as stated in the first part of this review series, I understand that beat-em-ups don't tend to have very complex plots.  However, Ninja Turtles as a brand is treasured for how its scenarios get outlandish, and the previous beat-em-ups followed suit.  The first beat-em-up indeed had a fairly straightforward scenario, but the second involved Manhattan being cut out of the ground and levitated into the air, while the third involved Krang stealing the Statue of Liberty (presumably it's easy to do when you already have the technology to steal the whole city) and also the turtles time-traveling.  

 

In this game, the Statue is once again stolen, but this time there is no time travel, and in fact, nothing much beyond a standard beat-em-up in a messy city.  Most level tropes are ones you've already seen from the series.  Despite the name, there isn't all that much Shredder in this game, and he doesn't seem to be getting much revenge.  I figured a revenge would entail a scheme targeting the turtles directly, but instead, it's standard villain antics that heroes react to.  Most of the game, your heroes are chasing Krang's goons as they bring him back his android body. (If that sentence didn't make sense to you, you haven't seen this show.)  The cutscenes about this can be fun, but they're short, and it never feels like very much is ever at stake.  There is a nice twist at the very end, but it still leaves this game feeling hollow compared to the past two. You also get unique ending screens for each character you beat the game with (that is, if it's Player One), but they, too, are underwhelming.

But again, this genre isn't really about deep plots; it's about fighting, and fortunately in that realm, this game easily outdoes any of its predecessors.

Let's Kick Shell!

 

People who have fond memories of the first arcade TMNT game are apt to say things like "Man; I had so much fun sinking quarters into that machine."  To these people, let me be frank: If you enjoy the act of losing money, you might be masochists, and arcade games made purposefully shallow and unfair for the purpose of maximizing profits are not objectively commendable.  Fortunately, Konami's TMNT games did not stay in that undesirable spot; they gradually gained depth, and Shredder's Revenge follows suit with more depth still.  

 

At its base, though, this game maintains the gameplay recognizable from that overrated arcade game and its better sequels, meaning there is only one basic attack button.  This, however, has a great deal of flexibility, as when you press the button, where you press the button, what else you're pressing when you press the button and how long you press the button all affect what attacks your character does.  So while you can just mash the attack button and be sure that something will happen, there's a great deal more depth to doing this optimally.  The above also applied to past TMNT games, but it's in the move options beyond that base that TMNTSR comes into its own.  

 

Past games like this handled special attacks by pressing the attack and jump button at the same time, draining HP while doing them, and this game is quite different in that regard.  You now have a dedicated special attack button, but instead of taxing your HP, it's limited to a small number of uses.  Small, yes, but you can earn more uses by hitting enemies enough times without them (or anything else dangerous) hitting you in the process.  Or if that's too hard, you can also taunt to earn one special attack use, provided you don't get hit during that taunt motion.  Most of this special attack system is well-balanced but that last part does feel overpowered once you learn that you can also taunt in those periods when there are no enemies onscreen and the game is prompting you to go forward to where there are more.  It breaks the pace, though not much, and it can get annoying to hear April asking "Any comments?" to the air multiple times in succession.

Still, the special attacks themselves are great to have.  Most are some form of "area of effect" blast, but there's still enough variety between them--with your current character adding more variety still--that their presence adds depth.  The best way to sum them up is that their mere presence makes things easier, but it'll take skill with them to make things much easier.  They also add personality to the fight, as every character has several of their own, complete with unique animations and voice clips.

Easily the most important addition to this game is the dodge button.  This allows characters to flip backwards quickly, or forwards quickly if you press in that direction, and characters are also momentarily invincible while doing it.  It's likely that most of the "skill ceiling" of this game entails mastering that dodge mechanic, as ultimately this sort of game is about draining your opponents' HP before they can do the same to you, and to test just how good you've gotten at that mechanic, there's an Arcade mode that challenges you to through the whole game without losing all of your lives.  With as simple as the move itself is to do, it does sometimes seem like most of the depth to using it correctly is in memorizing when to press the button for every moment of the game, and so I can see many people finding that annoying.  But the dodge in itself is still a lot of fun, so I'm glad it's there.  It seems to fit ninjas a lot better than a simple block would, and keeps fights from degenerating too much into crass button-mashing to brute-force through.

 

You Were Expecting, Maybe, The Adams Family?

 

All of the above innovations to the gameplay definitely help breathe new life into a beloved old experience, but boss battles feel like kind of an afterthought.  The handful of TMNT beat-em-ups that inspired this one were in themselves known for repeating bosses from game-to-game, although their patterns did vary somewhat between them.  This game, rather than taking advantage of our heightened technology to surprise players with interesting new twists on the concept of a TMNT boss, instead seems intent on upholding that tradition, as if going down a checklist of the rogues gallery we've (mostly) seen before, complete with very similar moves and tactics on some of them.  

 

To be fair, there does exist some reason to do this in the current context; we've had a long break from this sort of TMNT beat-em-up and this universe in TMNT beat-em-ups, so perhaps it's considered an obligation to bring back as many things from them as possible.  I can definitely understand why some nostalgic players would feel slighted if their old favorites weren't in this game.  But compared to games like Sonic Mania and River City Girls--and inevitably, this game will be compared to those games--this game's bosses lack the creativity to truly wow returning players.  The game also doesn't really have enough plot or voice acting to make these bosses appealing for who they are.  There's a fun running joke about how after the Foot Clan takes over Channel 6 news, Bebop has a blast making a bunch of shows starring himself, but no other character is anywhere close to as fleshed out.

I can't help but wonder if part of the reason this game's design is a bit too conservative in spots is because of how much more poorly-received TMNT games were that have dared to be anything besides this sort of old-fashioned beat-em-ups.  Having not played many of those other TMNT games, I cannot weigh in on that.  But it's a shame, even so.

Closing Thoughts

 

Of the games I've played for the Summer of Beat-Em-Ups so far, I'm pleased to say this one is the least flawed.  It looks, plays, and sounds great, and manages to feel a lot like beloved old games without reviving many of their flaws.  Having seen just about everything this game has to offer by now--much of it many times over--I'm definitely ready to call this the best TMNT beat-em-up ever made.  In fact, it's so good that it might be genuinely hard to go back and play the games that inspired it.  Perhaps Konami should have released The Cowabunga Collection before this game!

 

However, should we really be so impressed that a game made now is so much better than ones made several decades ago?  There's actually no reason to suspect that wouldn't be the case, given the increased technology and hindsight.  Given that potential, I'm almost more tempted to resent that this game isn't even better than it already is, and while it's not fair to demand depth from a beat-em-up plot, I think that from this series, it's reasonable to expect more scope.  I still hope that before this resurgence of beat-em-up popularity burns out, we get another TMNT game that plays like this and is set in this universe, but also commits to telling a new story with more new characters and new locations.  After that, I might even accept a bit more experimentation with gameplay.

 

But meanwhile, you should still totally buy this one, dudes and dudettes!

Teenage Mutant Ninja Turtles: Out Of the Shadows (2016) Review

This is why I love garbage trucks.  Well, one reason.

The underlying message of Teenage Mutant Ninja Turtles: Out of the Shadows is embrace the unique and be yourself.  It's about as original as mozzarella and tomato sauce on pizza, and a lot of media have sent it better, but given how the film lives up, it couldn't be more poignant--and in fact, it's an axiom Platinum Dooms should have already been observing two years ago.

You may recall my gripes with 2014's movie, that it seemed perpetually afraid of the brand's premise; focusing far too much on humans providing exposition dialogue and reinventing the Foot Clan as generic Western thugs with ski-masks and assault rifles.  Though far from the worst movie Platinum Dunes has made, it was glaringly a Platinum Dunes movie at the expense of being a Ninja Turtles movie.  Come this sequel, though, that's changed dramatically; certainly, some of the standard Bay-isms are still here, like constant wreckage, fetish-fuel and wide-angle shots of the sky, but the mutant lion's share of the screentime goes to scores of the brand's famous outlandish traditions.  In addition to the obvious return of the Turtles and Foot Clan, Pizza, Casey Jones, Baxter Stockman, Bebop, Rocksteady, Krang, a hotrodded garbage truck, the classic theme song and even (in a small sense) Vanilla Ice are all here to massage the sweet-spots of nostalgic fans.

At least some of them.  Time to address that mutant elephant in the room; for anyone who doesn't know, Teenage Mutant Ninja Turtles began in 1984 as an independent pictorial panel book--laypersons would (incorrectly) refer to it as a "comic"--by Mirage Studios, and it was a surprise hit by independent pictorial panel book standards, so it became an ongoing serial, and by 1987 it was successful enough to license a toyline, with an animated series produced by Fred Wolf to promote it, but because of censorship and probably some "creative differences", the cartoon ended up drastically different from the book.  Still, it was an even bigger hit, to the point it outshined the original book in the public mentality, and ever since then, TMNT fandom has been haunted by cockfights over which iteration ought to be seen as the true essence of the brand.  This film has gone for the path of least resistance and focused mostly on things from the Fred Wolf cartoon, but there are certainly some neat nods to the original Mirage books too, and they're the sort that could pave the way to more influence in future films.

Having all these callbacks to the brand's heyday gives the movie the downside of being extraordinarily busy and frenetic, and inevitably, some elements work better than others.  The titular Turtles are onscreen much more and packing a cool truck that recalls the vehicles in the 2003 cartoon, and fellow mutants Bebop (Gary Anthony Williams) and Rocksteady (Stephen Farrelly) are constantly there to fight them, yielding much delight.  The rest of the Foot Clan have been corrected from gangsters back to ninjas, and even Karai gets a fight scene in this time.  On the other hand, the brand's flagship human vigilante Casey Jones, who is also onscreen a lot, is played passionately but inappropriately by Arrow star Stephen Amell.  While people often denigrate Megan Fox as an unremarkable one-note actress, as it happens that one note isn't far off from the Fred Wolf incarnation of her character April Oneal, which is obviously the version this filmverse channels.  By contrast, Amell is charming and witty, but incredibly dissimilar to any past version of Casey Jones, and only sells the role for as long as he puts on his mask and beats on foes with his hockey gear.  That could have been any number of athletic male leads, but they went with shipping a famous attractive man with their famous attractive woman, and unfortunately, Amell spends too much time just being the dreamboat.  Tyler Perry brings a spot-on tone to the iconic mad scientist Baxter Stockman, but they didn't capitalize by giving him many funny lines.  Then there's the fussy and smart-Alecy alien wardlord Krang, delighting every moment he's onscreen, which are tragically few.

However, even if some elements of this film are underwhelming, they're never boring, which again, is a huge change for its 2014 predecessor.  While most jokes aren't worth roaring with laughter over, they still work much better in their context than the trailers suggested.  The film's energetic and playful mindset is infectious, frequently soliciting at least grins and giggles, and in the sad event that it drops the ball, it picks the ball right back up and charges into new territory too fast to stay resentful at it.  Visually, it brings in ample toyetic frills in the best sense; though textbook Platinum Dunes in terms of its appetite for action, they did well making that a action a good combination of graceful and zany.  The 2014 film's tired out instances of men in black clothes shooting automatic weapons amidst steel and concrete have given way to such gleeful sights as a rhinoceros driving a tank through white-water rapids, and as to the Turtles' lair and truck, the only possible criticism of them is they don't get enough screentime.

To say Platinum Dunes outdid themselves here would be rather vague praise given their stereotypical pedigree, so I'll go further and say that in some ways, they even outdid every other filmmaker that has made a Ninja Turtles film.  In some ways; not in every way.  The film's quasi-Lovecraftian scenario of competing against villains to recover macguffins to summon a higher power is neither original nor exceptionally developed, its message is wholesome-but-thin, and its revivals of series icons usually don't appeal quite as much as the original iterations that made them so lovable in the first place.  Yet quantity can have a quality of its own, and from the opening where ninja-stars replace the standard stars on the Paramount logo, to the end credits wherein a very faithful cover of the Fred Wolf theme song plays, this film has by far the highest quantity of loving tributes to the brand.  It's certainly not the only way to make a movie, and probably not the best way, but coming from Platinum Dunes, this is the way to make a movie that feels long, long overdue.  A for effort.

Teenage Mutant Ninja Turtles (2014) Review

I will start by answering the preeminent question everyone has: No; this isn't Bayformers.  You can breathe a sigh of relief if you were expecting a disaster that's Revenge of the Fallen bad.  The plot will confuse nobody (save for the very young, maybe), the action is fluid and visible, Megan Fox actually does a good job, and although not all jokes hit, you won't be driven crazy by their stupidity.  If you're worried about the allegations of penis and fart jokes, rest assured there is just a penis joke and a fart joke that pass quickly, and best of all, there's no racism to be found in any characterizations.

Unfortunately, this new take on the iconic reptilian roughhousers is grounded to the point of being tedious in many places.  The revised origin of the turtles; loosely based on the Fred Wolf cartoon's take but essentially its own thing (a theme prevalent through much of this version), eats up time as it's revealed by the film's pedestrian human cast.  When I said Megan Fox does a good job as April Oneil, I mean that she adequately conveys when she's happy, sad, moved to tears by a sweet moment (and to be fair, you might be, too), and terrified, but she's still not playing a very interesting character.  Also along are Will Arnett as Vernon Fenwick, who is much more likable than his Fred Wolf counterpart but not nearly as great as he was as Batman, Whoopi Goldberg as April's boss, Bernardette Thompson, who is sadly no more likable than her Fred Wolf counterpart (though for whatever reason, a different race and gender), and the Foot Clan, almost entirely reinvented as a gun-toting, western terrorist organization.  Some may like this change of pace, as it's at least different from the Foot in every other Turtle movie, but when Karai, a character whose most faithful adaptation was in 16-bit fighting games, is reduced to pointing a pistol at people and driving a Humvee, the change truly rears its ugly head.  I have no idea why she's in this movie.

Questionable new elements aside, things progress more-or-less the way you know if you're familiar with the brand; April runs afoul of the villains, the Turtles save her, she faints, they wake her up and introduce themselves and their rat sensei, Splinter (played by Monk himself, Tony Shaloub), a flashback montage is played, pizza is eaten, and then the fight is on to defeat the Foot Clan.  It's at that point that finally, the movie comes into its own.

I'm not ashamed to say that Platinum Dunes' skepticism-prone take on the series does a few things better than the past movies.  Aside from the original books, I think this is the most violent I've seen the Turtles and especially their foes get, and although it will be discomforting to some, it was long overdue.  Heavy, brutal, head-bashing, bone-smashing impacts are inflicted by both sides, and nobody screws around.  People hold up the original 1990 movie as the ideal TMNT film, and also as a rare adaptation that tried to reconcile the original Mirage series and the vastly altered Fred Wolf cartoon, but even it contained an extremely awkward moment where a scene of the Foot attacking April's apartment was interrupted by Michelangelo challenging a Foot ninja to a "chuck-off", and both sides just stopped and watched.  As is well-known, the other live-action movies just got more inane from there, but no such illogical cheese is present here.  Jokes get in where they fit in, sometimes as mid-action quips, and a fair amount are even pretty funny, but there's no pausing to fool around when lives are at stake.  There's a pretty great truck chase segment; not something any other TMNT film has had, and Shredder is all new levels of menacing.  He's barely a character, but his amped-up, "old-meets-new" arsenal of technologically charged blades provides some great new fights with the heroes.  He's not taken down in any cheap way, either; the Turtles all bring their A-game against him, and even Fox's April gets some nifty licks in.  It's cool, it's exciting, and it's funny.

But then it's over.  Much as the film seems to go on too long during the boring exposition, just when it's gotten good, it flies by too fast.  The pacing is awkward enough that I wonder if things were filmed first and then arranged in some arbitrary order, because it seems like it just coasts at first, and then fires off all of its exciting bits in rapid succession; like some constipated machine gun.  The closest it came to enraging me was in the form of scenes that, in the trailers, made it look like we were going to get more adventures, instead being throwaway gags at the end--though in all honesty, they're more likely sequel hooks.

In summary, this new take on the Turtles isn't a total loss.  It gets some things right about the brand (or as right as they can be; given how many different versions there are), there are some fun, if brief and objectively trivial, nods to old fans, and at least some of the new things it brings to the table have merit.  Still, while there's only so much one can do retelling the origin story of the Turtles (this is the seventh time; count them), this film disappoints even those modest expectations, and ultimately the highest praise I can give it is that I was left wanting more instead of less.  Hopefully, what we got at the end of the first film promises more character development, and more fun exploration of the Turtle mythos in the inevitable sequels.

Then again, we remember what happened last time.